凶狼

“L @*obo Feroz*,\ is)= a  loose, revi]tali^sed#? ada==@ptation of #-(]Big Bad_ Wolves. There were $]ma=!ny chan
#ges that ^^ we ma/?de\$+ wh,;-en you(;=` c \ompa^-re it to
 .#the origi=nal\, giv*:en that ),w+ e :_%ad,]ded new c+h)aracte $rs,: - plot strands and ; [locations, and _@w?e intr#o_d
uced !/and (fleshed o`@ut new themes-*@ teetering between da-( rk] comedy and police  thriller% . The
[film questions^ ;one’s princi]%ples, hu]$ :m/a n behav iour a(#nd how ambiguous it can be,” the direct/`-or explained to Ci !=n*europa:. “I’m v\(ery?
`#happy
* to be able+ t@o work with a dream Spanish ca-st, where(:[  ever`yone? demonstrates their^ @:en \%(ormous?? tal/]#ent and co\;]*m[; .mitment in every (scene an`/;d [th%r#ough e very si=ngle detail.”　　The !screenplay for =\t@?he movie – written?* by Juan M[^anuel Food@,e Roma and E@=#va María$@ ?Al)(ons:o Mo\reno – follows#^ a p_@olice office]r on the \frin_@g=es of t-(he l)aw and a =)wom)^ an #?se\
eking^ revenge. Their paths cross;, as t
hey are obs%*essed wi;?th disc(#overing the ident ity of the murder,):+er be%)hind a !:str(ing of brutal ( $crim@es in!:]vol=`vi
?-^ng ^various girls.  They /)-are both w*+illi$[ )ng to do wh[/)at^
e=v =er [^]it takes to secu)re a confe\: s![sion:% %, even thou %gh+ they will have t=,!,o t)ake the law into their ow.n hands in order[ to +/do so. At the?#] same tim:e, a model d%,etective will do his utmos.[t to avoid irreparable errors_(  being m ?ade and to ensure that!;*; this de^\=-spera;te search f %o\_

r the truth doe(/s not, tra,nsfor@m in^t:_ o t%he fi_\ercest of wolve-s.